姚日强,中国书法家协会会员、国家一级书法师、渭南师范学院特聘民间艺术专家。获中华人民共和国國家版权局颁发的“中华捻管书法第一人 姚体书法”、“姚氏捻管太极书法”证书。中华捻管太极书法创始人。2017年8月,被中文联恭聘为名誉顾问,特颁发“中文联名誉顾问金质证章”。2018年1月被中国文学艺术联合会授予“德艺双馨书画名家”称号;2018年被中文联授予“十大名家”称号。2020年1月,中国互联网联盟聘任为“艺术总监”一职。特邀为2020年全国两会书画界新闻代表。2017年5月文化部、中文联、中书协在人民大会堂举办全国书法大赛获一等奖。草书念奴娇《追思焦裕禄》(10米长卷)《马》被人民大会堂永久收藏。2017年,文化部、中文联、中书协向一带一路组委会推介,向全世界发行中国文化书画银币,全国90名书画家姚日强是唯一两枚。中企日报聘为“中企报道.艺术资本理事会副主席”。2019年8月,被中国民族建筑研究会书画艺术专业委员会聘请为客座教授三年,这是有名的书画艺术专业委员会对他书法艺术才华的高度认可。新修长城竖有姚日强草书“千秋伟业”四个大字的石碑。多幅作品被国际友人收藏。这些成就表明姚日强有责任、有担当、有能力,将中国书法向前推进一步!
Yao Riqiang is a member of the Chinese Calligrapher's Association, a national first-class calligrapher, and a special folk art expert from Weinan Normal University. He was awarded the certificate of "Yao Style Calligraphy, First Person of Chinese Twisting Calligraphy" and "Yao Style Twisting Taiji Calligraphy" by the State Copyright Bureau of the People's Republic of China. Founder of Chinese Twisting Taiji Calligraphy. In August 2017, he was employed as honorary consultant by the Chinese Federation, and was awarded the "Gold Medal of Honorary Consultant of the Chinese Federation". In January 2018, he was awarded the title of "famous calligrapher and calligrapher of both virtue and art" by the China Federation of literature and Art.: In 2018, he was awarded the title of "Top Ten Famous Masters" by the Chinese Federation. In January 2020, the China Internet Alliance was appointed as "Artistic Director". He is specially invited to be the press representative of the calligraphy and painting circles of the NPC and CPPCC in 2020. In May 2017, the Ministry of Culture, the Chinese Federation and the Chinese Calligraphy Association won the first prize in the national calligraphy competition held in the Great Hall of the People. The cursive script Niannu Jiao's "Remembering Jiao Yulu" (a 10-meter long scroll) and "Horse" are permanently collected in the Great Hall of the People. In 2017, the Ministry of Culture, the Chinese Federation and the Chinese Calligraphy Association recommended to the the belt and road initiative Organizing Committee to issue silver coins for Chinese cultural painting and calligraphy to the world. Yao Riqiang, 90 calligraphers and painters nationwide, was the only two. China Enterprise Daily was hired as "China Enterprise Report. Vice Chairman of Art Capital Council". In August 2019, he was invited as a visiting professor for three years by the national architecture institute of china Calligraphy and Painting Committee, which was highly recognized by the famous Calligraphy and Painting Committee. The newly built Great Wall has a stone tablet with four characters of Yao Riqiang's cursive script "Great Cause for the Future". Many works are collected by international friends. These achievements show Yao Riqiang has the responsibility, responsibility and ability to push forward Chinese calligraphy.
姚日强作品
合气谐力自然法 捻管调锋玄妙功
——记著名书法家姚日强
书法是一门学问,更是一种修行。所以把书法写到唯美玄妙的高度,就需要象当代著名书法家姚日强前辈这样,一要解决好学问的问题,二要做好身心修行的问题。三他胸中有太极,大自然山山水水乾坤之象。他把学问和修行当成书法文化传承创新的双轮驱动,建立翰墨功勋,成为令人无比敬重的书坛贤才。
天下无物非草书,前辈胸有山水,博览万物,心境涵乾坤,所以不以旧帖为粉本,最愿师造化!古人书法有法,不全是道法,无论兰亭序还是中秋帖,都有需要优而化之的空间。所以他认为古代法帖,虽然极是精彩,但应该有等闲视之的气魄,抄书无前途,唯有法自然,才可以执笔写天道!
无学问,不修行,书法是谓匠也,匠者无功,是谓书法习成的败也。前辈学问高,修行深,书法则神通也,神通立书,是谓书法磨砺的奇观也!仰望奇观,便可以了然而知,他的书法是技艺磨砺、美学修养、艺术思想的宏观铺陈,无所不包,文明皆融,这种境界正是书法得道法的证见。
茫茫书海,得法才是功!草书带有鲜明的唯我独尊的气势特征。佛祖七步生莲花,上指天,下指地,言:天下地上,唯我独尊!这不是狂生之论,而是佛修之“我”是纯粹的我,是无浊不蚀的我,此为当然为天地神尊。由此可推证,姚日强附观历代碑帖而不生机械的膜拜的呆心,而是有唯我独尊的志气,原因就在于他也是一位内心纯粹,不染纤尘的大贤,有为而不争,所以笔墨似水,水利万物,亦利书法。书法因善水品格,所以和而悦目,柔而长久,体现着金钱、财物、名利皆无所求的浩荡胸怀!
他创建当代书法的上德意象却是不遗余力。历代书法,包括当代书法,智者倒是非常多,数之下尽,德者却是了了可数,五百年难出一位。誓将中国书法艺术推向前进,死而不己!有担当有能力!前辈以道示德,以德蓄书,不写张牙舞爪的江湖体,德写翰墨的正能量,大德雄才今朝有,五百载的天道安排!章草发端于汉,成熟于晋的巅峰状态复建的惟妙无敌!当代书坛,能写这一手刚柔相济,法度谨然章草神妙的大手笔,除了姚日强前辈,他人何以堪此功?所以从书法的文化品位、德修内涵、境界表现等文化角度来讲,姚日强草书写的是精神龙脉的正大气象!
书法如果仅有传承,不突樊篱,容易掉进抄书的浅坑里无法攀新巅。所以姚日强前辈的书法在达成传承的精湛之后,再书法创新的道路上赋力卓越,智慧大成。从执笔运气,注墨用力,捻管调锋,章法致美四个方面都有独一无二的创新硕果。姚日强是位奇人,他书写从来不折纸,他不论什么文字内容的多少,纸的长丶短丶大丶小写出来都是恰到其份,这是老天赐给他的,而古今是没有的,也不是他本人的。这真是难得的。成为当代书坛传承有大功,创新有硕果的扛鼎雄才。挥笔纵墨,则贤才济雄才,必然是技高一筹,功晋一级的浩荡体验!
常人写书法,只知执笔,不运气。高人写书法,运笔又运气!前辈笔执于手,气行于脉,能自我感知,亦能输注于笔管,然后达笔尖,所以提摁顿点,皆有气通,人体的精气神便助益成书法的性灵!书法合于气,有气则活,书法就制韵成了满目的神风。试问当代书坛孰有此功!
常人写书法,知道要用力,但是如何用力刚未必知其然,行其然,偶知手上有力,却不能调动全身之力,所以一幅作品写下来,往往是累得手酸腕疲,书法不是享受,反而成了体力的糜弊消耗。姚日强写书法,用的是“活力”。何谓活力?全身之力也!脚之力、腿之力、腰之力、肩、肘、腕、指……周身之后,全部依心意调度,合而能输,输而能注,把身力化成心力,成为墨韵动态的表现力!放手写心,心驾全力,所以书法创作竟然可依马步而写,毫不知疲,痛快自如。试问当代书坛,何人能如此凝神聚力写书法?唯前辈而无他人。
书法之玄妙,还在于能调锋。如何调锋,各有各法,但是都不如姚日强前辈的捻管妙法!此法顺合了天地运行法则,以手执管,以心抚毫,于转笔散锋之际,快速而娴熟的调节腕的公转方向和指尖捻管的自转方向,两个方向的用力调节,就把笔锋要散的非和谐状态,立刻调整为散而能聚,注墨无疵的状态中,仍旧是儒雅之质,毫无粗头乱服的被动。我们看米芾的书法,虽然是八面出锋,但总是因为还没有修行出捻管聚锋的极致功力,所以难免有疵牙毛刺的散弊产生。如今看姚日强的书法,劲而刚,逸而顺,毫无挂碍,此为捻管调锋的极致功法,功得此法,可著汗青!自此有名,春秋传颂!有文学家正为大贤大德立传,60万字的传记,正待出版!
合气谐力自然法,捻管调锋玄妙功。前辈写书法章法倡“无为有做”。为是刻意,做是自然,他反复体验章法师自然的妙处,得成了在无意状态下自然以黑计白的章法表现,所以一幅草书,写一字是自然,写二字是天然,写一幅是天道,道法自然,虚实相关,不激不厉,恰是天下无物非草书的奇观。书法创作由刻意的为,提升到自然的做,放手写心,心无挂碍,径入妙处,自古圣贤,皆是如此!
著名书画评论家 石振华 2019年11月14日
Natural Method of Mixing Air and Harmonic Force to Twist Pipe and Adjust Front -Yao Riqiang, a famous calligrapher Calligraphy is a kind of knowledge, but also a kind of practice. Therefore, to write calligraphy to an aesthetic and mysterious level, one needs to solve the problems of learning and spiritual and spiritual practice, just like the elder Yao Riqiang, a famous contemporary calligrapher. He has tai chi in his chest, which is the image of nature, mountains, rivers and dry kun. He regards knowledge and practice as the two-wheel drive for the inheritance and innovation of calligraphy culture, establishes calligraphy feats, and becomes a highly respected talent in the calligraphy field. There is nothing in the world but cursive script. The elder has mountains and rivers in his chest. He reads everything well and his mind is full of knowledge. Therefore, he does not regard the old post as a powder book. He is most willing to learn from nature. Ancient Chinese calligraphy has its own method, not all of which is Tao. No matter the preface to Orchid Pavilion or the mid-autumn post, there is room for refinement. Therefore, he thinks that the ancient dharma posts, although extremely wonderful, should have the boldness of vision to be taken for granted. there is no future in copying books. only natural dharma can be used to write heaven's laws! No knowledge, no practice, calligraphy is also called craftsman, craftsman reactive, is also called calligraphy learning failure. Predecessors have high knowledge and deep practice, while calligraphy has miraculous powers. The miraculous powers of calligraphy are the wonders of calligraphy. Looking at the wonders, one can know, however, that his calligraphy is a macro-level elaboration of his skills, aesthetic cultivation and artistic thoughts. It is all-encompassing and civilization is in harmony. This state is the proof that calligraphy has the Tao. In the vast sea of books, success lies in success! The cursive script has a distinctive imposing manner characteristic of being exclusive to oneself. Buddha gave birth to lotus flowers in seven steps, pointing up to heaven and down to earth. He said, "I am the only one in the world! This is not the theory of crazy life, but the "I" of Buddha's cultivation is the pure I, the I without turbidity and corrosion, which is, of course, the god of heaven and earth. From this, it can be inferred that Yao Riqiang attached himself to the inscriptions of past dynasties and did not have the foolish heart of mechanical worship, but rather had the ambition of being the only one. The reason is that he is also a great sage with pure heart and no dust. He is promising but does not dispute. Therefore, pen and ink are like water, water conservancy is all things, and calligraphy is also beneficial. Calligraphy is harmonious and pleasing to the eye because of its water-loving character. It is soft and long-lasting. It embodies a mighty mind that demands nothing for money, possessions, fame and wealth. He spared no effort in creating the moral image of contemporary calligraphy. Calligraphy of past dynasties, including contemporary calligraphy, is full of wise men, but the number of virtuous men is countless, and it is difficult to find one in 500 years. I swear to push forward the Chinese calligraphy art, and die instead of myself! Be responsible and capable! Predecessors show virtue by virtue, accumulate books by virtue, do not write the Jianghu style with bared teeth and claws, and write the positive energy of calligraphy by virtue. Great virtue and great talent are present today, and the arrangement of heaven for 500 years! Zhang Cao originated in Han Dynasty and matured in Jin Dynasty. He was completely invincible in his restoration at the peak. In contemporary calligraphy circles, one can combine hardness and softness in one hand, and the statutes are just like the great works of Zhang Cao. Apart from Yao Riqiang's predecessors, why can others be worthy of this achievement? Therefore, from the cultural perspective of calligraphy such as cultural taste, moral cultivation connotation and realm expression, Yao Ri-qiang Cao is writing the fair and square atmosphere of spiritual Long Mai. Calligraphy, if it is only inherited and does not break through barriers, will easily fall into the shallow pit where books are copied and cannot reach new heights. Therefore, Yao Riqiang's predecessor's calligraphy is endowed with outstanding power and wisdom on the road of calligraphy innovation after he has achieved exquisite inheritance. There are unique innovations in four aspects: writing luck, injecting ink with great force, twisting the tube to adjust the front, and making the art of composition beautiful. Yao Riqiang is a strange man. He never folded paper in his writing. No matter how many words he wrote, the length, the short, the large and the small of the paper were just right. This was given to him by the old gods, and there was no such thing as ancient and modern, nor was it his own. This is really rare. It has become an outstanding talent with great achievements in the inheritance and innovation of contemporary calligraphy circles. If you wield your pen and ink, you will be able to help your talents. It will definitely be a mighty experience with a higher skill and a first-class achievement. Ordinary people only know how to write calligraphy, not luck. The master writes calligraphy, and luck comes with the stroke! Predecessors hold their pens in their hands and move their qi through their veins. They can sense themselves and infuse them into the pen tube and then reach the tip of the pen. Therefore, when pressing and pressing the point, they all have qi flowing through them, and the essence and spirit of the human body will help them become the spirit of calligraphy. Calligraphy is in harmony with qi, and when there is qi, it is alive. Calligraphy has become the magic wind everywhere. Who has done this in the contemporary world of books? When writing calligraphy, ordinary people know how to exert oneself, but how to exert oneself may not be known at first, but when one does, one occasionally knows that one's hands are strong, but one cannot mobilize one's whole body's strength. Therefore, when one writes a work, one is often too tired to use one's hands and wrists. Calligraphy is not enjoyment, but rather a waste of one's physical strength. Yao Riqiang writes calligraphy with "vitality". What is vitality? The whole body force also! The strength of the foot, the strength of the leg, the strength of the waist, the strength of the shoulders, elbows, wrists, fingers ... After the whole body has been adjusted according to the heart, it can lose and lose, and it can inject, turning the body strength into the heart force and becoming the dynamic expressive force of Mo Yun! Let go and write your heart, and drive your heart with all your strength. Therefore, calligraphy creation can be written according to the steps of the horse, without any knowledge of fatigue and with ease. Who can write calligraphy with such concentration and concentration in the contemporary world of calligraphy? Only the elder and no one else. The mystery of calligraphy lies in the ability to adjust the front. How to adjust the front, each has its own method, but it is not as good as Yao Riqiang's elder's wonderful method of twisting the tube! This method conforms to the laws of heaven and earth, with the hands holding the tube, the heart caressing the hair, while turning the pen to disperse the front, it quickly and skillfully adjusts the revolution direction of the wrist and the rotation direction of the fingertip twisting tube, and the hard adjustment in the two directions immediately adjusts the disharmonious state where the pen front is to disperse to the state where it is scattered and can gather together. In the state where the ink injection is flawless, it is still elegant and there is no passivity of rough head and random clothing. When we look at Mi Fei's calligraphy, although it has a sharp edge on eight sides, it is always because we have not yet developed the ultimate skill of twisting and gathering the sharp edges. Therefore, it is inevitable that defects and burrs will appear. Now, Yao Riqiang's calligraphy is vigorous and firm, easy and smooth, without any hindrance. This is the extreme skill of twisting the tube and adjusting the front. The achievement of this skill can be traced back to history. Since then, it has become famous and celebrated in the Spring and Autumn Period. Some writers are setting up biographies of great sages and virtues. A biography of 600,000 words is awaiting publication. Natural method of combining air and harmonic force, twisting tube to adjust front and mysterious work. Senior calligraphers advocated "doing nothing and doing nothing" in calligraphy. In order to be deliberate and natural, he repeatedly experienced the beauty of Master Zhang's nature, and became the composition of nature in black and white without intention. Therefore, a cursive script, written in one word, is natural, written in two words, is natural, and written in one picture is heaven, Tao and nature, the actual situation is related, not exciting and not complete. It is just a wonder that there is nothing in the world but cursive script. Calligraphy creation has been promoted from deliberate work to natural work, letting go of the heart to write. The heart is free from any hindrance and goes straight into the beauty. It has always been the case with sages since ancient times. Famous calligraphy and painting critic Zhen-hua Shi November 14, 2019
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